The Language of Birds

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Mandy is a gorgeous creation, a character so warm and vivid you half wish you could take her out for a drink . . . Dawson is good at delineating class, particularly as it manifested itself in the '70s, when the clenched '50s and the new world of the '60s were still in a fight to the death: every detail is perfect, from children's toys to mealtimes . . . it's impossible to tire of Mandy, or of Neville, the West Indian man with whom she falls in love (Rachel Cooke Observer, Book of the Day)